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Title details for Painterly Perspective and Piety by John F. Moffitt - Wait list

Painterly Perspective and Piety

by John F. Moffitt
ebook
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While the Renaissance is generally perceived to be a secular movement, the majority of large artworks executed in 15th century Italy were from ecclesiastical commissions. Because of the nature of primarily basilica-plan churches, a parishioner's view was directed by the diminishing parallel lines formed by the walls of the structure. Appearing to converge upon a mutual point, this resulted in an artistic phenomenon known as the vanishing point. As applied to ecclesiastical artwork, the Catholic Vanishing Point (CVP) was deliberately situated upon or aligned with a given object—such as the Eucharist wafer or Host, the head of Christ or the womb of the Virgin Mary—possessing great symbolic significance in Roman liturgy. Masaccio's fresco painting of the Trinity (circa 1427) in the Florentine church of Santa Maria Novella, analyzed in physical and symbolic detail, provides the first illustration of a consistently employed linear perspective within an ecclesiastical setting. Leonardo's Last Supper, Venaziano's St. Lucy Altarpiece, and Tome's Transparente illustrate the continuation of this use of liturgical perspective.

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Publisher: McFarland & Company, Inc., Publishers

Kindle Book

  • Release date: January 10, 2014

OverDrive Read

  • ISBN: 9780786452262
  • Release date: January 10, 2014

PDF ebook

  • ISBN: 9780786452262
  • File size: 7699 KB
  • Release date: January 10, 2014

Formats

Kindle Book
OverDrive Read
PDF ebook
Kindle restrictions

subjects

Art Religion & Spirituality Nonfiction

Languages

English

While the Renaissance is generally perceived to be a secular movement, the majority of large artworks executed in 15th century Italy were from ecclesiastical commissions. Because of the nature of primarily basilica-plan churches, a parishioner's view was directed by the diminishing parallel lines formed by the walls of the structure. Appearing to converge upon a mutual point, this resulted in an artistic phenomenon known as the vanishing point. As applied to ecclesiastical artwork, the Catholic Vanishing Point (CVP) was deliberately situated upon or aligned with a given object—such as the Eucharist wafer or Host, the head of Christ or the womb of the Virgin Mary—possessing great symbolic significance in Roman liturgy. Masaccio's fresco painting of the Trinity (circa 1427) in the Florentine church of Santa Maria Novella, analyzed in physical and symbolic detail, provides the first illustration of a consistently employed linear perspective within an ecclesiastical setting. Leonardo's Last Supper, Venaziano's St. Lucy Altarpiece, and Tome's Transparente illustrate the continuation of this use of liturgical perspective.

Expand title description text
Art Religion & Spirituality Nonfiction