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David Golder, the Ball, Snow in Autumn, the Courilof Affair

Introduction by Claire Messud

ebook
1 of 1 copy available
1 of 1 copy available

Readers everywhere were introduced to the work of Irène Némirovsky through the publication of her long-lost masterpiece, Suite Française. But Suite Française was only the coda to the brief yet remarkably prolific career of this nearly forgotten, magnificent novelist. Here in one volume are four of Némirovsky’s other novels–all of them newly translated by the award-winning Sandra Smith, and all, except DAVID GOLDER, available in English for the first time.

 

DAVID GOLDER is the novel that established Néirovsky’s reputation in France in 1929 when she was twenty-six. It is a novel about greed and lonliness, the story of a self-made business man, once wealthy, now suffering a breakdown as he nears the lonely end of his life. THE COURILOF AFFAIR tells the story of a Russian revolutionary living out his last days–and his recollections of his first infamous assassination. Also included are two short, gemlike novels: THE BALL, a pointed exploration of adolescence and the obsession with status among the bourgeoisie; and SNOW IN AUTUMN, an evocative tale of White Russian émigrés in Paris after the Russian Revolution.

 

Introduced by celebrated novelist Claire Messud, this collection of four spellbinding novels offers the same storytelling mastery, powerful clarity of language, and empathic grasp of human behavior that would give shape to Suite Française.

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    • Publisher's Weekly

      November 19, 2007
      Through the 1920s and '30s Russian-Jewish émigré Némirovsky, author of the recently rediscovered and internationally bestselling Suite Française
      , was a popular and critically acclaimed novelist in her adopted France. These four short early novels reveal her clear-eyed view into the deeply compromised human heart. David Golder
      , her third novel and the only one in the volume previously available in English, is saturated with the despairing mood of its title character, an embittered Jewish business- and family man in ill health, left after the suicide of his bankrupt partner to question the value of the great petroleum fortune he has amassed. The Courilof Affair
      is narrated by Léon M., a dying Russian revolutionary: he recounts his relationship with Valerian Courilof, the minister of education in imperial Russia. Léon grew to like the decrepit, politically ruined Courilof, even as he was ordered to kill him. The Ball
      is a psychologically acute account of the relationship between a narcissistic French mother—married to her former boss, a rich German Jew—and their enraged adolescent daughter, Antoinette; the similarly brief Snow in Autumn
      is a tender portrait of an old, devoted Russian nanny who cannot adjust to life as an émigré in Paris. These four early works by Némirovsky reveal her impressive range, bitingly exact settings and insight into profoundly flawed and compromised characters.

    • Booklist

      January 1, 2008
      The N'mirovskyrestoration continues. Living in exile in France after the Russian Revolution, the young, prolific Jewish writer met with phenomenal popular and critical success. But talent and fame did not protect N'mirovsky from the Nazis; she perished in Auschwitz in 1942. Her unfinished masterpiece, Suite Franaise, was published in English for the first time in 2006, igniting avid interest in this acutely perceptive writer preternaturally fluent inthe perverseness of the human psyche. Fire in the Blood followed in 2007, and now four of N'mirovskys daring and incisive early compact novels are gathered in one intense volume and brilliantly introduced by novelist Claire Messud. David Golder is a spiky, counterintuitive portrait of a businessman. The Ball is a deceptively fanciful tale about a rebellious 14-year-old girl. Snow in Autumn is a story of exile from a servants point of view, and The Courilof Affair explores corrupt political action. Although notas breathtaking as herlater works, these areshrewdlyinteriorized tales in which N'mirovsky captures fractured modern mores without sacrificing the grand coherence of, say, Dostoyevsky or Tolstoy.(Reprinted with permission of Booklist, copyright 2008, American Library Association.)

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