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Lord of the Fire Lands

ebook
2 of 2 copies available
2 of 2 copies available

As unwanted, rebellious boys, they found refuge in Ironhall. . .Years later they emerged as the finest swordsmen in the realm--

The Kings Blades

Once bound, a Blade's life is no longer his own. Only death can break the gilded chain of enchantment that binds the bodyguard to the man he is sworn to defend. And never in living memory has a candidate refused the honor of serving his king. . .until now.

Young Wasp never intended to be a rebel. Yet, at the sacred ceremony of binding, he follows the lead of his friend Raider, and together they spurn the wishes of King Ambrose himself. Now Raider and Wasp are outlaws hunted by the very Blades whose ranks they were a breath away from entering, and joined together by a destiny that binds them more securely than any knot tradition and sorcery might tie. Amid the turmoil their "treachery" has inspired, Wasp and Raider must undertake a desperate journey into the heart of the dreaded Fire Lands. And the outcome of their terrifying confrontation with dark truth and darker magic in this realm of monsters, ghosts, and half-men will ultimately determine the fate of two kingdoms.

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    • Publisher's Weekly

      Starred review from October 4, 1999
      Distinguished by its sophisticated structure and themes, Duncan's exceptional sequel to The Gilded Chain will satisfy both fantasy fans looking for high adventure and those more interested in rich characterizations. For five years Raider and Wasp have been training to become Blades, expert swordsmen who are magically enhanced. But when the two are offered the highest of honors--to serve the king of Chivial himself--they refuse. As Raider's reasons for this unprecedented decision are explored, Duncan flashes back to present the history of the marriage of a "civilized" Chivian duchess to the king of the "barbarous" Baels, who have long terrorized Chivial. Raider and Wasp's rejection of the king has made them outlaws, so they must flee Chivial for Baelmark, where they face a situation explicitly like Hamlet's (king dead, queen mother married to her brother-in-law), though Duncan skillfully develops this section as a genuine, unique drama rather than as an arch reference to the Bard. His depiction of Bael culture, which is based in language and custom on Beowulf's time, is assured and creative, authoritative but without unnecessary ostentation. His Baelish villains may be two-dimensional, but the other characters display an appealing combination of fallibility, morality (of various sorts) and charm. Plot twists based on hidden identities and allegiances are surprising yet well prepared. The interesting magical system features eight elements, adding the evocative Love, Time, Death and Chance to the traditional Earth, Air, Fire and Water. Duncan can swashbuckle with the best, but his characters feel more deeply and think more clearly than most, making his novels, especially this one, suitable for a particularly wide readership.

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  • English

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